DVD and Streaming Review: “Rush”
Director Ron Howard’s “Rush” is a
movie without a plot. There is no story an audience can follow. Instead it is a
character study. “Rush” is about the rivalry between two of the best Formula
One racers of their day. Both racers, James Hunt (Chris Hemsworth) and Niki
Lauda (Daniel Bruhl), were outstanding drivers but at polar ends of their
approaches to driving and life. Mr. Howard has made a fascinating film about
two interesting characters who disliked each other but also owed their success
to one another.
Hunt and
Lauda first notice each other in a Formula Three race which is the lower
division for Formula One. Their differences become apparent immediately when
Hunt cuts through the pant forcing Lauda to spin out. Hunt wins the race. Lauda
is not amused. A rivalry is born. Lauda is consumed with meticulous details
concerning the track and car. He prepares himself both mentally and physically,
priding himself on racing within the rules. Hunt relies solely on his skill.
His life off the track is consumed with hard and fun living. But on the track,
if the car is up to it, he has the talent to take it to victory.
“Rush’s”
focus is on the 1976 Formula One racing season. The film has a lot of jargon
concerning Formula One racing but that shouldn’t put non-aficionados off. Mr.
Howard and his editors, Daniel P. Hanley and Mike Hill, do a nice job of
keeping our minds off the technical aspects and our eyes on the racing
excitement. The shots of the two drivers racing are exciting. Mr. Howard has
found a way to film race scenes that can keep an audience interested. But the
key to the excitement is knowing the two drivers.
The
casting of both Mr. Hemsworth and Mr. Bruhl is spot on. Mr. Hemsworth is known
more for the Marvel comic book hero Thor but he is also a lot of fun as a
delinquent mortal. He is amusing, publicizing his chiseled physique while over
inundating himself with the goodies at his disposal from winning Formula One
races. Mr. Bruhl has the tougher job. He comes across as the stern Austrian
without a sense of humor. Lauda is focused on winning and only winning and Mr.
Bruhl conveys that. But Mr. Bruhl also gives hints of loneliness and
sensitivity. That appeal makes his romance with his future wife, Marlene (Alexandra
Maria Lara) so interesting. That shy playfulness is missing from Hunt’s
courtship of his wife, Suzy Miller (Olivia Wilde). Their relationship consists
of attraction with carnal lust that leads to nuptials. But the romancing is
just another way to show their differences. What makes the movie interesting is
the relationship between the two men. They butt heads but the rapport between
the two actors make the conflicts wonderful to watch.
“Rush”
is Mr. Howard’s best directorial effort. He has discarded anything concerning
the men’s relationships that might make the movie drag. He has succeeded in the
difficult task of showing the admiration these two men had for each other
without making it a sentimental soap opera. Technically, Mr. Howard and his cinematographer,
Anthony Dod Mantle (“127 Hours,” “Slumdog Millionaire”), give the film an off-color
look that intensifies the desperation each driver develops to beat the other.
We get a sense of the exhaust noise, the gravel on the track and the elements
that might make or break a race. And Mr. Howard does what all directors should
do when actors are at the height of their game and that is to show them
together, working off of each other, getting to tell the audience who their
characters are while moving the story forward.
Directed by Ron Howard; written by Peter Morgan; director of photography, Anthony Dod Mantle; edited by Dan Hanley and Mike Hill; music by Hans Zimmer; production design by Mark Digby; costumes by Julian Day; produced by Mr. Howard, Mr. Morgan, Andrew Eaton, Eric Fellner, Brian Oliver and Brian Grazer; released by Universal Pictures. Running time: 2 hours 3 minutes.
WITH: Chris Hemsworth (James Hunt), Daniel Brühl (Niki Lauda), Olivia Wilde (Suzy Miller), Alexandra Maria Lara (Marlene Lauda), Pierfrancesco Favino (Clay Regazzoni) and Natalie Dormer (Nurse Gemma).
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